Gourmet Trading grower interview
Brand interviewFilmed in a working packhouse in one visit. Process is what makes that possible without stopping anyone from doing their job.
Five phases, about four weeks from filming to the final cut, and a schedule built so your team loses hours rather than days.
One consolidated review round is priced in. Extra rounds are quoted at the time, so a long approval chain never becomes a surprise invoice. Or build your own estimate in two minutes.







Four projects at four scales, all run on the same five phases.
Filmed in a working packhouse in one visit. Process is what makes that possible without stopping anyone from doing their job.
A multi-location company film. The phases below are what keep a project like this at four weeks rather than four months.
A client interview with real stakes. Paperwork and approvals were settled before the camera came out, which is the whole point.
Enterprise scale, same five phases. The pipeline does not change with the budget, only the number of days in it.
What happens, in what order, and what we need from you at each point.
Four inputs. Everything else is ours.
One person who can approve
Who and where, confirmed
Every cut and aspect ratio
The only one of these that regularly gets skipped is the deliverable list, and it is the one that costs money. Coverage is either shot for a vertical cut or it is not. Ranges follow our pricing page.
Corporate video production runs in five phases: scope and script, paperwork and approvals, pre-production, filming, and edit and review. A single-location project takes about four weeks from the shoot day to the final cut, with one consolidated review round built into that schedule.
Almost every corporate video that runs late runs late for the same reason, and it is never the edit. It is a review chain nobody mapped: marketing sees a cut, then legal sees it, then a director sees it, each round a week apart and each one asking for something the previous round did not. So we ask who signs off before anything is written, and we run one round with everyone in it. That single decision is worth more to a delivery date than any amount of production speed.
About four weeks from filming to the final cut for a single-location project. Multi-site work adds a week or so per additional shoot day.
Twenty minutes per person on camera, plus an hour at scope and an hour at review. We schedule around your working day rather than asking you to clear one.
A named decision maker, the full approval list, access to people and places, and the deliverable list. All four before the shoot day.
Six things move a delivery date. Only one of them is the edit.
Regulated industries review the script as well as the cut.
The published ranges by format, so the process has a number attached to it.
| Package | Typical range | What it covers |
|---|---|---|
| Customer testimonial | $3,500–$15,000 | One story, or a batch day covering several |
| Corporate or interview video | $6,000–$15,000 | Leadership, company and interview-led films |
| Product video or explainer | $6,000–$25,000 | Product films, demos and animated explainers |
| Training or internal video | $6,000–$25,000 | Onboarding, compliance and internal comms |
| Recruitment or culture video | $9,000–$35,000 | Employer brand across one or several sites |
| Video podcast series | $9,000–$25,000 | Recurring episodic production |
| Brand story film | $9,000–$35,000 | Multi-location brand film with cutdowns |
| Commercial or video ad | $9,000–$50,000+ | Written, directed and produced for paid media |
Building your own scope? Pre-production runs $1,000 to $1,500, a shoot day $6,000 to $8,000, and editing $2,000 to $4,000 per finished film. Cutdowns are $750 each. These match our pricing page and budget estimator.
A cut goes to four people with equal authority and comes back with four contradictory notes. We ask for one decision maker before anything is written.
Marketing, then legal, then an executive, a week apart each. This is the single largest source of delay in corporate video and it is entirely avoidable.
Releases unsigned, a site agreement missing, a badge not issued. A crew standing in reception is the most expensive place to discover this.
Vertical and short cuts are $750 when planned and a reshoot when not, because the coverage either exists or it does not.
Without a call sheet, people wait around. With one, each person gives twenty minutes and goes back to work.
A new message after the shoot means new footage. We settle the message at phase one and hold it, which is why four weeks is realistic.
The rest of the corporate cluster, and the service pages behind each format.
The full service page: formats, process and pricing.
What to make first, and in what order.
Ten formats, and when each one is right.
The format most companies should buy first.
The format most companies buy too early.
Every line item, published.
Irvine Los Angeles San Diego San Jose San Francisco New York and nationwide for multi-site systems. Back to all industries.
Kaiser Permanente, Databricks, Google, Porsche, Abbott, Veld Group and Gourmet Trading have all run projects through this process.
They impressed us with prompt responses, ensuring we met all filming objectives without missing a beat. The quality fully met my expectations.
7 Hills Productions went above and beyond in terms of quality, professionalism, responsiveness, and timeliness. They captured our vision perfectly.
They did an amazing job providing a great product. Very easy to work with, we decided to keep working with them for a year-long campaign.
About four weeks from filming to the final cut for a single-location project, with one consolidated review round built in. Each additional location adds roughly a week.
Twenty minutes per person on camera, an hour at scope and an hour at review. We issue a call sheet so nobody sits waiting to be filmed.
One consolidated review round covering everyone who has to sign off. Extra rounds are quoted at the time rather than absorbed silently, so the number you agreed stays the number.
Almost always a review chain that nobody mapped. Marketing sees a cut, then legal, then an executive, a week apart each. Running one round with everyone in it removes two to three weeks.
No. We scout in advance, schedule around your working day and work with a small crew. We have filmed in working packhouses, hospitals and occupied offices without stopping the work.
A named decision maker, the full approval list, confirmed access to people and places, and the deliverable list. The last one is the one most often skipped and the one that costs money.
Yes. Releases, site agreements and credentialing are completed in phase two, before the shoot day rather than during it.
Yes, if the review round is committed to at scope. We can compress filming and editing; what we cannot compress is an approval chain that has not been agreed.
You own the finished films and the licensed footage. We archive the raw material and project files, and access is limited to the people you name.
Tell us the format, the locations and roughly when you need it. You get a written scope, a schedule and a number back, usually the same day.
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