Jack Westin student story
EducationJust over a minute, and it still cuts down to three usable ad lengths. Short source interviews are the cheapest creative you can buy.
Customer-led performance creative. A real person saying a real thing beats a polished brand spot on cost per acquisition, and one interview gives you a quarter of variants to test.
Cut from interviews filmed for Jack Westin, UTrakk, Abbott and Graff. $750 per cut from footage you already own. Or build your own estimate in two minutes.







Short customer-led cuts, and the interviews they came out of.
Just over a minute, and it still cuts down to three usable ad lengths. Short source interviews are the cheapest creative you can buy.
A two-minute master that fed LinkedIn and paid social. The hook is the first sentence the customer said, not one we wrote.
Regulated categories can still run customer-led creative. The constraint is the claim, not the format.
Filmed on site, which is what makes the vertical cut stop a thumb. Studio backdrops read as advertising immediately.
Six steps from scope to delivery. Cuts from existing footage land in about a week.
Four related formats, and what each one is actually for.
One hook, one claim, one length
The interview the cuts come from
The long version, with numbers
Written and directed, not interviewed
The cheapest performance creative in existence is a cut of an interview you have already paid for. Before commissioning anything new, ask us what is in your archive. Ranges follow our pricing page.
A testimonial video ad is a short cut of a real customer interview, built for paid placement rather than a website. It runs 15 to 60 seconds, leads with something the customer actually said, carries burned-in captions, and is delivered vertical, square and horizontal so one interview covers every platform.
The reason these work is not that customers are good on camera. It is that paid feeds have trained everyone to recognise an advertisement in about a second and a half, and a person talking plainly in a real room does not trigger that. The practical consequence is that your hook has to be a sentence the customer said, not a line your agency wrote and had them read, because the moment it sounds written the advantage disappears.
Demand generation and performance marketing teams, B2B software companies running paid social, education and training businesses, healthcare and finance brands in regulated categories, and anyone whose cost per acquisition is climbing.
A set of cuts in 9:16, 1:1 and 16:9 with captions, built to different hooks and lengths so you can test rather than guess.
About a week for cuts from footage we already have. About four weeks if the interview needs filming first.
Six formats, and most teams test three at once.
Real ranges rather than a call for a quote. Cuts from footage you already own are the cheapest line on this page.
| Package | Typical range | What it covers |
|---|---|---|
| Ad cut from footage you already own | $750 each | One hook, one length, all three aspect ratios |
| Six-variant creative set | $3,500–$4,500 | Different hooks and lengths from one interview |
| Single customer filmed for ads | $3,500 | Half a day, shot vertical and horizontal from the start |
| Batch day, two to four customers | $8,500–$15,000 | A quarter of creative from one visit |
| Quarterly creative refresh | $2,000–$4,000 | Fresh variants from existing footage, no reshoot |
| Out-of-state travel day | $6,000–$8,000 | One shoot day, travel and accommodation at cost |
Building your own scope? Pre-production runs $1,000 to $1,500, a shoot day $6,000 to $8,000, and editing $2,000 to $4,000 per finished film. Cutdowns are $750 each. These match our pricing page and budget estimator.
We pull the opening line out of the interview rather than writing one. The moment it sounds written, the format loses its only advantage.
Framing is planned for 9:16 on the day. Cropping a horizontal interview afterwards is why most testimonial ads look wrong on a phone.
Six cuts from one conversation gives you a real test. Six versions of the same idea does not, which is why we agree the angles first.
An appearance release written for a website does not always cover paid media. We check before anything runs, not after.
Creative fatigue arrives in weeks. Cutting fresh variants from footage you own costs $750 rather than a new production.
Burned in and as separate files, timed properly. Most of your audience will never turn the sound on.
The rest of the testimonial cluster, and where each format sits.
The full service page: formats, process and pricing.
The interview the ad cuts come from.
Software adoption and ROI, told by the user.
The same approach, aimed at candidates.
The long version, with numbers on screen.
Every format with its real range.
Irvine Los Angeles San Diego San Jose San Francisco New York and nationwide for multi-site systems. Back to all industries.
Jack Westin, UTrakk, Abbott, Graff and City Experiences have all had customer interviews cut for paid placement here.
They impressed us with prompt responses, ensuring we met all filming objectives without missing a beat. The quality fully met my expectations.
7 Hills Productions went above and beyond in terms of quality, professionalism, responsiveness, and timeliness. They captured our vision perfectly.
They did an amazing job providing a great product. Very easy to work with, we decided to keep working with them for a year-long campaign.
$750 per cut from footage you already own, and $3,500 to $4,500 for a six-variant creative set. Filming a new customer for ads is $3,500 for a half day. Our pricing page and budget estimator have the full breakdown.
Fifteen to sixty seconds. We usually deliver a 15, a 30 and a 60 from the same interview, because the length that performs depends on the audience temperature rather than the platform.
Yes, and it is the cheapest thing on this page. Send us what you have and we will tell you what is usable before you commission anything new.
Not always. A release written for website use sometimes excludes paid media. We check before anything runs and send the customer a short addendum if needed.
Six is the usual starting set, built to different hooks rather than different edits of the same idea. Testing six versions of one concept tells you nothing.
Weeks rather than months on paid social. We cut fresh variants quarterly from footage you already own for $2,000 to $4,000, which avoids a reshoot.
Yes, and we frame for it on the shoot day. Cropping a horizontal interview afterwards is the most common reason testimonial ads look wrong on a phone.
Yes. We have run customer-led creative in healthcare and finance. The constraint is what can be claimed, not the format itself.
You own the finished cuts and the licensed footage. We archive the raw material and project files, and access is limited to the people you name.
Tell us what you are running, what footage you already have and roughly when you need it. You get a written scope and a number back, usually the same day.
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