Lancôme brand video
Beauty campaignA beauty campaign film with talent, lit and graded so the product reads the way it does in print.
We film for beauty, skincare, fragrance and fashion brands: campaign films, product and texture work, talent shoots, 3D product animation and the vertical cutdowns that actually run on social. Studio in Irvine, crews across Southern California.
One studio day usually produces the campaign film, the product cuts and a batch of verticals, which is how a DTC brand fills a quarter of content. Or build your own estimate in two minutes.








Eight films for beauty, fragrance, personal care, wellness and accessories brands. Campaign work, product and texture, 3D animation and vertical social.
A beauty campaign film with talent, lit and graded so the product reads the way it does in print.
Fragrance is the hardest thing to film. This one sells the experience rather than the bottle.
Product in use, on talent, shot the same day as the pack shots so the whole set matches.
A personal care launch cut for paid placement, where the first three seconds carry the whole ad.
A 43 second wellness product ad, built for the feed rather than for a website hero.
3D animation for what a camera cannot show: mechanism, materials and what happens inside the product.
A batch of vertical cuts from one campaign shoot. Shot vertical on the day, not cropped afterwards.
An accessories brand shot in lifestyle context, cut for product pages and for paid social.
Six steps from scope to delivery, and about four weeks from shoot day to the final film.
Four formats cover most of what a beauty or fashion brand buys. Pick by the channel it has to fill.
The film the whole season hangs off
Show the product the way print shows it
Fill a quarter of feed from one shoot day
Show what a camera cannot reach
Most brands book these together: one studio day produces the campaign film, the product passes and the vertical batch. Paid cutdowns and channel versions are covered on the commercial video page.
Beauty and fashion video production is the making of films for beauty, skincare, fragrance, personal care and apparel brands: campaign and brand films, product and texture work, talent and lifestyle shoots, 3D product animation, vertical social batches and paid cutdowns. 7 Hills Productions has produced this work for Lancôme, GloryCloud, Lansley and Chala, from a studio in Irvine, California.
One studio day usually produces a campaign film, a set of product cuts and a batch of verticals, which is what makes a full content quarter affordable.
Beauty, skincare and fragrance brands, personal care and wellness products, apparel and accessories labels, DTC and marketplace sellers, and the agencies buying on their behalf.
A typical campaign is $9,000 to $13,500: pre-production, one studio day and one finished film, plus cutdowns. Product-only days start lower.
About four weeks from shoot day to the final film, with two rounds of notes built in.
Eight formats, each with a service page of its own.
Real ranges rather than a call for a quote. Every number below assumes one crew, one studio day and one finished film.
| Package | Typical range | What it covers |
|---|---|---|
| Campaign or brand film | $9,000–$13,500 | Pre-production, one studio day and one finished film, plus cutdowns |
| Product and texture film | $6,000–$12,500 | One studio day, hero plus macro passes, one finished film |
| Vertical social batch | $6,000–$15,000 | A batch of vertical cuts captured and edited from one day |
| 3D product animation | $6,000–$15,000 | Modelling, animation and finishing, no shoot day |
| Paid ad or commercial | $9,000–$25,000 | Concept, one or two shoot days, and channel versions |
| Studio day at our Irvine stage | $750–$1,500 | Stage only, crew and equipment quoted separately |
| Extra cutdown | $750 | Any additional cut from footage already shot |
Building your own scope? Pre-production runs $1,000 to $1,500, a shoot day $6,000 to $8,000, and editing $2,000 to $4,000 per finished film. Cutdowns are $750 each. A second finished film from the same footage adds an edit fee, not another shoot day. These match our pricing page and budget estimator.
Our Irvine stage means controlled light, a long day without location fees, and product and talent shot back to back.
Colour grade is not a filter here. The film is graded so the shade on screen is the shade in the box.
Social cuts are framed on the day. Cropping a horizontal hero is why most brand verticals look wrong.
Macro passes, pours, swatches and application coverage are captured alongside the hero film.
Mechanism, layers and what happens under the skin are animated rather than faked with lighting.
A campaign film, a set of product cuts and a batch of verticals from a single studio day.
The service pages behind this work, and the other sectors we film for.
The film the whole season hangs off.
Show the product the way print shows it.
Show what a camera cannot reach.
Built for the first three seconds.
Stage, lighting and grip, from $750 a day.
Every sector we film for, in one place.
Irvine Los Angeles San Diego San Jose San Francisco New York and nationwide for multi-site systems. Back to all industries.
Lancôme, GloryCloud, Lansley and Chala have hired us for campaign films, product and texture work, 3D animation and vertical social.
They impressed us with prompt responses, ensuring we met all filming objectives without missing a beat. The quality fully met my expectations.
7 Hills Productions went above and beyond in terms of quality, professionalism, responsiveness, and timeliness. They captured our vision perfectly.
They did an amazing job providing a great product. Very easy to work with, we decided to keep working with them for a year-long campaign.
A campaign or brand film runs $9,000 to $13,500, which includes pre-production, one studio day, one finished film and cutdowns. Product-only days start lower.
About four weeks from shoot day to the final film. Booking usually runs two to three weeks ahead.
Yes. We handle casting, hair and makeup, styling and the release paperwork, and we agree usage terms before the shoot day.
Yes, and we do. Vertical is framed on the day rather than cropped from a horizontal hero, which is why our social cuts hold up.
Yes. The grade is built around the product, and we work from your pack and swatch references rather than a look preset.
Yes, for mechanism, layers and anything a camera cannot reach. No shoot day is needed for a purely animated piece.
Yes, in Irvine. The stage runs $750 to $1,500 a day on its own, and it is where most product and talent work happens.
Yes. A large share of this work comes through creative and media agencies, white labelled where that is what the client needs.
You do. You get the finished films and the masters, and access to the raw footage is limited to the people you name.
Tell us the product, the channels it has to fill and roughly when you need it. You get a written scope and a number back, usually the same day.
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